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Master Index of E-Journal Reviews (2001-2002)
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The 1971 Honinbo Tournament
(2/19/01) "Presence" is a word we often attribute to a powerful personality. Presence may also imply our attendance at an event. Great events are usually sparked by strife between powerful people. A tournament battle for a prestigious title can capture both meanings of the word. The 1971 Honinbo Tournament was rich with presence in every sense of the word. Rin Kai Ho, Honinbo, seemed invincible. Whatever challenger might rise from the Honinbo League must be truly a remarkable player to have a chance. "The 1971 Honinbo Tournament" tracks the ascent of Yoshio Ishida to his destiny. The author, Kaoru Iwamoto, feels this exceptional presence in his bones. His words transport us straight into the tournament. They give us pictures of the contestants, the conditions, the stakes and the high-voltage tensions of the games. In my first reading of the book I drank the atmosphere, and I meticulously worked my way through a game or two. In my second reading (having improved a bit) I was able to appreciate more of the wonderful annotations Iwamoto provides. Enjoying the games makes the narrative all the more vivid. This is a book of two
great virtues: "Presence" is one, the historical chronicle. Incredibly
fine go with superb annotations is the other. In my third reading,
which will surely happen, because this book is one of the cornerstones
of any enduring go library, I expect to feel more acutely the presence
of mythic 1971 and the battle of these great warriors.
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Attack and Defense (Elementary
Go Series, Vol. 5) (2/12/01) This is a valuable book is an excellent introduction to the middle game for go players who know the basics. It takes for granted that you are familiar with some basic openings and begins at that point. Focusing on the strategy and tactics of large scale fighting, the authors use the balance between territory and influence to show the reader how to best attack an opponent's stones while defending one's own framework. This book helps novice players develop workable and potent strategies utilizing influence and teaching defense against common attacks. Middle to high kyu players would easily benefit from this volume. I first read this book
when I was about 19K and found it immensely helpful. It sets out
basic ideas on how to choose a successful strategy during the middle
game. With those principals in mind it gives you specific tesujis
or techniques to help put that strategy in play. Next it teaches
a few essential defensive moves and three fundamental principals
on reducing and invading frameworks. This book helps the novice
player place priorities on moves during the chaos that starts to
grow during the middle game and encourages players to use their
creativity to find their own moves. |
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Beyond Forcing Moves,
Understanding Kikashi and Tactical Timing In my never-ending quest for advancement to dan-level play, I stumbled upon this text. The title was a very attractive one, one that implied that, as a kyu player, I have only scratched the surface of this game's complexity. And indeed, this book makes that clear. I look at joseki and I am beginning to see that a joseki is really a fluid sequence meant to change with the "mood" of the game. Shoichi Takagi has carefully chosen about twenty games to demonstrate the art of kikashi (making a defensive move with the best return) and sabaki(making good shape with the most efficiency in a difficult situation). As a 1-2 kyu player, I am not sure I would have considered the possible sequences and variations mapped out by Mr. Takagi. Now, on my second reading, I am beginning to make some sense of it. Master Takagi breaks up the book into three sections; Basic Concepts, Putting the Concepts to Work, and Masterstrokes. Each section has examples that clearly demonstrate the concepts with alternate sequences that a kyu level player might make(at least, ones I probably would have made). When I learn the alternatives, I think to myself that I don't know if I will ever remember them in times of stress. But I also can't help thinking about the alternative that I would not have thought about before. The book is well organized with good diagrams. Brian Chandler's translation is clear and to the point. Summary portions of this text have good descriptions and definitions. I think the weaker
kyu player will not learn as much as the weaker dan players. But
both will gain insight into the complexity of the game. I plan on
rereading this book at least once a year to understand a little
better that which was completely incomprehensible the year before. |
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The Breakthrough to Shodan
Go books in general suffer from two flaws: they are narrow in scope (many times by necessity), and they are written in a flat style, often by someone other than the purported author. The Breakthrough to Shodan has neither of these flaws. Because it was taken from a set of lectures transcribed into magazine articles, it rings with the author's voice in a lively prose. In addition, the book's scope is broad enough to appeal to any kyu level player. "Breakthrough" is divided into sections that deal with low handicap games. Within these sections, Miyamoto describes "Strides," or principles, by which black can rid him or herself from negative attitudes. By taking the reader through five-, four-, and three-stone games, Miyamoto deals with negative attitudes and complex joseki.Miyamoto shows how dan-level players often hoodwink weaker players, even those who are strong fighters. His treatment of the Taisha Joseki exemplifies this: the Third Stride in Chapter 7 is "Know the Taisha, but don't play it." After reviewing several complex variations, demonstrating the pitfalls, he shows the reader a simple variation that stresses thickness. It is an easy variation to remember, but what makes it so important is that it works with the power of the starpoint stones. Miyamoto does this with many popular joseki: shows how black tends to get into trouble with complications, squandering the influence of the starpoints, rather than playing perfectly serviceable joseki that compliment influence. Starpoints are about influence, and influence favors fighting. But without sensing the direction a wall made from handicap stones exerts power, fighting can degenerate into who is the best reader. (Hint: against a dan, it's rarely the kyu.) Therefore, fighting should take place, but in an arena where black has the advantage. The Breakthrough to Shodan shows the reader how to create this arena, how to see through white's false threats, and to trust the power of influence to create territory naturally, through a positive approach.Each chapter ends with two whole-board problems that test the reader's positional judgment. The end of the book is a set of problems derived from the large-knight's extension from a starpoint, and here Miyamoto shows the techniques white has used over the years to terrify and bamboozle kyu-level players, and the correct refutations.Since the book never really moves past handicap go, it should perhaps be called The Breakthrough to One Kyu. But this is quibbling. Miyamoto's philosophy of "You don't need to be fancy to win at handicap go," shows again and again how to find attacking moves that work with thickness and take territory. This book was worth four stones to my go strength, and any kyu-level player can gain from its expansive approach and clear thought. Available from Ishi
Press: http://www.ishigames.com/intermed.htm |
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DieOrLive software Ask any pro how to get stronger and the first words out of his mouth invariably are "Study life and death." The problem (pun intended) is that studying life and death (tsume-go) is hard and, let's be honest, boring. I love these elegant little problems but until a couple of weeks ago five a day on the subway each morning was all I could find the time for. Forget about cracking the book on weekends. Now, thanks to Lyu shuzhi's 'DieOrLive' software, I'm solving more than 20 problems a day, seven days a week. DieOrLive makes life and death studying so easy, fun and addictive that it may well become the go crowd's "Minesweeper." The tsume-go student's dilemma is whether to cudgel your brains until you solve the problem or to give it your best shot and move on. DieOrLive solves the dilemma by speeding up and easing the process of solving over 1,000 problems, grouped as basic, beginner, intermediate or advanced. You match wits against the program, which responds instantly to each move. Solve the problem successfully and you're rewarded with a "success" message; if not, you get a "failed" message. Either way, the instant response and easy interface proves remarkably addictive. Success spurs you on to solve more problems while failure sends you back to take another crack at it. The software itself doesn't care: you can drop in at whatever level you like, re-do problems you already worked on or try out new ones. The astonishing thing
is that after just a few days I found myself instantly spotting
successful sequences where it would have taken me several minutes
before in a book, if I'd even had the patience to keep trying. And
the proof of the pudding is that none of my opponent's groups are
safe anymore. Try DieOrLive and your opponents will soon be calling
you "killer" too. |
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EZ Go When we start playing go, reasonable mastery of the game seems very distant. One technique to determine the position of a distant point is called "triangulation." Triangulation involves taking a bearing on that distant point from two rather widely separated sites. Bruce and Susan Wilcox have written a book based on concept as opposed to inculcation. It camps a far distance indeed from the problem books. EZ Go -- based on a series titled "Instant Go" that ran in the American Go Journal in 1977 and 1978 -- covers all the basic concepts from making shape to attacking weak groups. It offers some useful original ideas, like sector lines. It's also full of proverb-like rules of thumb. I don't suggest that
anyone start with EZ GO, but after working hard in the traditional
forms, you might benefit a great deal from the concept-based, metaphor-driven
approach offered here. As you read EZ Go, the material covered in
traditional books may gain an extra level of meaning. Likewise,
EZ Go's concepts will resonate more strongly. That's the benefit
of triangulation. |
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Fighting Ko This is a handy pocket
sized book that relies mainly on teaching by example. It amounts
to a thorough survey of how ko situations can arise, how they fit
into the overall logic of the game, and what the effects of avoiding
them would be. Most of the book is suitable for middle to high kyu
players, but the final chapter and concluding problems move up to
the dan Fighting Ko contains a few pages dealing with capturing races, including the best explanation I have seen of a basic principle governing them. Unfortunately, it is presented with no special emphasis, right along with the less satisfying rules of thumb you have probably seen elsewhere. Further, this section should logically lead to a discussion of capturing races involving ko, but the only related topic, on approach move kos and the like, precedes the capturing races. What the book does
not provide are hints on how to find ko threats, and how to play
so that when a ko arises, you do not find yourself devoid of ko
threats. There are only a few examples of effective ko threats in
the book. Study of this book should help a wide range of players
to recognize |
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First Kyu One of the best go books has a scant handful of diagrams and very little on tactics or strategy. "First Kyu," the novel by the late Dr. Sung-Hwa Hong, is the story of Young-Wook Kwon, a young Korean student who abandons his career and family in pursuit of the life of a professional go player. Anyone who's been even lightly bitten by the go bug will be entranced by this slim yet substantial novel, packed with fascinating details of the rocky road to professional. Dr. Hong's premature death recently at just 51 robs us of not only a charming man and strong go player, but of a great teacher, as well, for "First Kyu" is much more than just the tale of one go player's trials and tribulations. The novel, which clearly has a strong autobiographical flavor, explores the conflicts between duty and dreams, and the difference between desire and determination. Of most interest to go players, of course, is the window "First Kyu" provides into the game as a way of life that does not yet exist in this country. In Korea, in addition to the select group of players who earn a living as professional players, it is also possible to eke out a life as a club pro or as a gambler in go games called "bagneki" where players and spectators wager large sums based on the margin of victory. The lure of the easier way, then, is another theme in "First Kyu," as Wook must choose between gambling and the purity and rigor of studying the masters in the quest to become a professional. Of course, it is in this study that we, along with Wook, learn the real lessons of go and life. Give up a little to gain big. Slow down, beware of speed. Greed for a win takes the win away. "Every book will reveal
its truth if read one hundred times." This Confucius quote refers
to Wook's review of collections of master games, but it applies
to "First Kyu" as well. Just 98 more times and I can write a better
review. |
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Get Strong at Invading "Get Strong at Invading" is one of the early volumes ('95) in the 'Get Strong at Go Series', and it shows. The back cover 'guarantees' it will increase a weak kyu's invading ability by as much as 6 stones, but will also 'fill in the gaps' for a 'strong dan'. It is divided into three sections, Invasions on the Side (65 problems mainly covering 3 and 4 point extensions between two stones, Invading Corner Enclosures (84 problems), and Invading Large Territories (not actually about invading large territories, but reducing large frameworks (moyos). The last section is
the best, running 46 pages for 22 problems. The first two sections
have a variety of useful patterns, but generally the treatment is
poorly organized and scant, and this is where the book really suffers.
A kyu player will learn more, and learn it properly, by studying
"Attack and Defense" by Ishida and Davies, while a dan player can't
do better than "Enclosure Josekis" by Takemiya and "Reducing Territorial
Frameworks" by Fujisawa. |
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Get Strong at Tesuji The next best thing to having a personal teacher is a problem book. After I try a problem, I can flip to the answer and get immediate feedback. As a relative beginner there are a couple "theory" books that have helped my game (Lessons in the Fundamentals of Go, Opening Theory Made Easy), but it is mainly the drill of problem books that have raised the level of my play. "Graded Go Problems
for Beginners" were my favorite problem books when I first started
playing. I could find a volume that was hard enough so that I learned
something, but not so hard as to be frustrating. If, like me, you
found those books useful, I strongly recommend "Get Strong at Tesuji".
Similar to the Graded series, it's simply a list of 534 Unlike Graded, it has
some problems that simply ask for the best move, and don't tell
you what you're supposed to do (kill stones, live, connect two groups,
etc). I found this to be an especially nice feature. It also rates
the difficulty of each problem, although I didn't make much use
of the ratings. If you like drilling yourself with problems, I highly
recommend Get Strong at Tesuji. |
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Go Elementary Training
& Dan Level Testing Interactive learning produces superior results when compared with static (i.e. "book") learning. If you don't have a teacher, or even if you do, this CD may hasten your acquisition of go skill. The problems range from the 17 kyu level to amateur 5 dan level. The user interface of this program is annoyingly amateurish, but the organization of material is excellent. The program offers two formats. "Promotion" consists of 150 steps of 20 problems each. You get ten tactical problems, five corner pattern (joseki) problems, and five whole board problems. 90 points (18 correct answers) are required to advance from one step to the next. It's possible to cheat yourself with brute force iterations until the solution is found. Not good. But if you play straight through and fail to reach 90points, you start over from scratch. This kind of iteration is good. It drums the patterns into your brain. "Test Your Level" lets you declare your strength (Beginner, Middle or High) and then choose from the three problem categories provided in "promotion." Go Elementary Training
& Dan Level Testing is a terrific tool that can be played a bit
every day. Working an interactive element into your study regimen
will pay off in many ways. |
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Go Elementary Training
and Dan Level Testing It has been hard for me to find a book or program that fits my particular style of learning go. I particularly enjoyed the books by Phil Straus and Yi-lun Yang. I have liked the books by Jim Davies but I found that even with these excellent texts I have not moved ahead very much in the tournament circuit. Then I saw "Elementary Go" listed on the Samarkand web site and immediately liked the idea of a program that could both rate and teach me. Of course, I was also attracted to the "Up to 5 Dan" in theadvertisement. The price was also reasonable. I had no trouble installing it into my Toshiba (4005CDT) laptop, a refurbished Satellite running Windows98 on a K6-2 processor at 350 MHz with 32 Megs of RAM and an active matrix display. I had tried to install it into my CTX desktop computer but there was a conflict with the video drivers that I was unable to fix without changing the settings on my display which I didn't want to do. So my Toshiba became my default computer for "Elementary Go," which came in particularly handy because when I first got the program, I was traveling a lot on business. I first tested myself and found "Go Elementary Training" to be extremely accurate, ranking me between 3k and 1D, which mimics my tournament play. The program breaks down teaching and testing into three sections; life and death problems, joseki problems, and whole board problems. Your score is based on 5 points per problem with partial scores given on the whole board problems. There are a few glitches. Occasionally, if there are two solutions because of miai, the program will only allow one solution. It occasionally locks up or doesn't allow a move. Fortunately, only the current session is lost. You also have to put up with a annoying voice telling you, "Better luck next time," when you screw up and the usual, "Congratulations," when you pass the next level. Each time you finish a promotion level, you must log in again. This is time-consuming and tedious. Recently, I installed WindowMe on my portable computer and found that there is a problem installing Go Elementary Training into WindowsMe. I was able to run the program fine on my Toshiba Satellite with both Windows98 and Windows98 Second Edition. When I brought this to Janice Kim's attention (I had purchased this product from Samarkand), she was extremely helpful and checked into it. She found that it could be loaded if it was run directly from the disc. Of course, this has but a big damper on my usage since I have no intention of reloading the old system software onto my portable again. Janice has since come up with a patch for WindowsMe. The good news is that if you can get it up and running on your computer, you are likely to see a big difference in your play. I have moved up on IGS from 7k to 6k with a solid winning streak continuing. Some of this is very likely due to the cumulative effects of all of my efforts but nothing else has made as big a difference. This program is clearly
not for everyone. There is no commentary but it is easy to go through
large numbers of problems in a relatively short period of time.
I would call it the generic version of go teaching. All in all,
Elementary Go is an excellent way to examine and learn lots of materials
with little fanfare. I am hoping that Jujo will come out with an
updated version in the near future. |
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Go for Beginners I taught myself and several of my friends how to play Go from this book, and I suspect many other people can say the same. The book's clarity and thoroughness indicate why Iwamoto was so successful at promoting Go in the West. Go for Beginners is divided into two parts. The first part explains the rules of go. Rather than simply listing the rules and giving examples, Iwamoto walks us through a 9x9 game, presenting rules as necessary. I remember finding this to be a most compelling way of drawing me into the game. After leading the reader through playing and scoring, Iwamoto steps back and fleshes out the details of liberties, ko, seki, and other important concepts in the second chapter. The second part of
the book presents an overview of techniques including life and death,
ladders, and extensions. The book ends with good advice on how to
improve and two example professional games. |
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The Go Player's Almanac People are attracted
to go for many reasons. It's fun. It's excellent mental aerobics.
It's also an ideal springboard for philosophical speculation about
life and the cosmos. The Go Player's Almanac, unique among go books in English, provides a detailed look at the game's culture and history. The book contains no lessons, no theory, no advice for improving go-playing skills. What it does provide are well-written essays and reference sections covering the history, philosophy, culture and personalities which make go so fascinating to so many people. The book covers go history from ancient times to the present. It also contains biographies of all the most significant players, living and dead. One of the book's finest features is its extensive glossary of go terms. Another nice feature is its survey of go equipment, the collection of which is a fetishized pastime in itself. If that isn't enough, The Go Player's Almanac also describes: the manner in which players become professionals, the tournament system in different countries, the various rule sets, why go computer programs are so difficult to create, and more. Every serious go player
will eventually want to have this book. Though The Go Player's Almanac
is currently out of print, it's available at several Internet vendors
of go equipment. An updated edition is rumored to be in the works. |
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The Go Player's Almanac,
2001 edition Everybody calling himself a serious player should already have this reference work so the following discusses only the differences to the 1992 edition. The chapter on Mathematical Go is omitted, otherwise prior chapters have either tiny changes or considerable updates. Noteworthy revisions concern:
The book includes some new chapters:
What is missing? Obviously, this work is broad rather than deep so one cannot reasonably expect extensive details. However, some omissions are noteworthy: Western go, Korean and Chinese go terms, the actual life of a professional, teaching, and scientific go. Also it is hard to understand why some prior parts have been omitted. Nevertheless, the new
chapters and the revisions make the new edition useful for players
who felt the earlier one was incomplete. The new edition of the
Almanac is not flawless but it's certainly an improvement. |
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Go World (the magazine) Imagine the excitement of unearthing buried treasure - gold doubloons, jeweled goblets, silver daggers. I've discovered buried Go treasure; not precious metals but a wealth of wisdom in every issue of the magazine Go World. Go World (subscriptions available at www.kiseido.com) is truly a hoard of goodies. Number 91, hot off the press, features an article on Takemiya ("A Player with Heart"), a column by Michael Redmond on the opening, annotated games from current title matches - complete with reports on the players, four special sections for kyu players, and an article on Go in the West in the 81th Century. The buried treasure is found in back issues, many of which are in stock. At the Kiseido site I marvel at the cover graphics. The covers are historical art involving Go. All are interesting and some are of striking beauty. Back issues of Go World
contain an informal course of study for kyu players seeking to improve.
The 5x5 endgame studies, for example, are ideal for demonstrating
specific techniques. In the back numbers I also found the best illustrations
of sabaki I've run across, problem solutions that tell you how to
refute moves that most books leave to the student, little quizzes
on joseki and endgame counting, a compilation of the favorite tsume-go
problems of Japanese pros, and many other jewels. Of course, the
annotated games are superb; the background material invaluable.
No matter what your rank, you'll find good things in Go World. |
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Gogod Database Game collections aren't really a novelty. Student pros in Japan used to be sent away to play through the games of Shusaku, the dead master taking the weight off the shoulders of the living. In the PC era, you can collect up game files in the standard SGF format, click through them, or even get a screensaver to do that work for you. Going further and applying the computer's power as research assistant is the object of the Gogod Database bundle under review. It comprises around 12,000 games from the whole historic and geographical range of high-level go, including a high proportion of the most interesting and significant records around. It also comes with a number of software tools on the CD-ROM. I have spent the most time using Go Library, which is a versatile program for searching the collection to match data or positions. This would afford practical help with study for any dan player. There is also John Fairbairn's massive index to names of players from all eras, providing fascinating historical background to the games, and a special tool for finding instantly variations in the avalanche opening. I have spent most time using Go Library, which is a versatile program for searching the collection to match data or positions. This would afford practical help with study for any dan player. It's a tidy single screen, written in Delphi, with all commands self-explanatory icons or buttons. One can enter a pattern stone by stone on one board, have the machine match all occurrences in a period of years (say 1980-1989), and in a range of moves (say the first 50 of a game) and then play through the corresponding games on a second board. This allows easy tracking of full scale opening patterns. To look at corner openings in context, one uses the very useful 'rotations' facility: enter a pattern once, and the search will apply the 16-pass examination of games to check for its occurrence in all symmetric places, and with either colour. Searches may be saved for later use. I have applied this tool for studies of fuseki, joseki and middlegame techniques around corner enclosures, as well as to select games of particular players. Ordering: the database is currently available exclusively from Gogod. tmark@gogod.demon.co.uk,
dollar price $55 including charges. |
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Golden Opportunities Life, like go, presents
many opportunities for success, yet all too often our eyes fail
to see the gold. In "Golden Opportunities," Rin Kaiho, 9 dan and
raconteur, serves up a fascinating stew of go tactics and historical
anecdotes. Rin
doesn't lecture; he dramatizes in stories that provide a setting
in which to envision go positions as theatre. The stories draw from
both east and west. They aid the student's memory. A basic principle
in each story foreshadows the correct go action.
Aimed at the mid-kyu player in need of fresh perspective to advance
but sure to be a joy for players of any strength, this book has
great practical value. It mixes well with dry problem collections
and joseki texts. It illustrates obvious moves that are really failed
tries, develops the cognitive collisions that lead to enlightenment,
and examines all the key variations.
Get "Golden Opportunities" for fun and profit. |
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Graded Go Problems
for Beginners (Vols 1-4) Graded Go Problems
for Beginners is a four-volume set of books that takes the reader
from an absolute novice to "Advanced" play (defined as 15-kyu or
stronger). The books are compilations of go problems, divided up
by level of difficulty and by subject matter.
For instance, Volume One has lots of problems on how to capture
one or more stones and how to avoid being captured. The "Level Two"
problems in Volume One include ladders, snapbacks, ko, and how to
play in the opening and in endgame. Each succeeding volume continues
to explore these main themes. Some of the problems in the third
and fourth volumes will challenge American players stronger than
15-kyu (myself included), probably because, unlike Asian go students,
our study of go has been almost entirely self-directed and without
any structure. This four-volume set provides a excellent grounding
in the basics of go at an early stage and can't help but prove helpful
to any double-digit (and at least one single-digit) player willing
to take the time to study them. They are also excellent teaching
tools for go kids. |
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The Great Joseki Debates
It is hard to find
joseki books that aren't dry and mechanical. The sheer In this reprint of several articles from Go World, Honda Kunihisa, approaches each joseki problem as if there are three scholars presenting a different strategy and makes us think about which we would chose. He does this in a comical way as if the each of the scholars feels he has the only answer. Then he goes on to explain why one of the three is the best choice based on the whole board outlook. Kunihisa reiterates the same warning in each discussion: "Since josekis work effectively in a certain direction, it is necessary to examine the positions along the adjacent sides and in the adjacent corners when choosing a joseki for a particular opening." I'm sure he repeated this warning to emphasize its importance. This is one of the things that I found so helpful in the two joseki books by Yi-lun Yang and Phil Straus. Honda Kunihisa gives only as much follow up as is necessary for even mid level players. I found this book easy
to read and wound up wanting even more problems. I expect that even
low Dan level players will find this an interesting review as well
as kyu level players. |
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In the Beginning As in many creation stories, we have darkness, and then light. So it is from the very first stone of a game of go. Ishigure takes us on an exploration of these beginnings, my favorite time of the game. Because of its open and abstract qualities, the opening is by its very nature difficult to teach with authority, simply because there is none. There are many approaches to the opening, the basic structure and strategies of which have evolved over time. I find it fascinating, and a tribute to the flexibility of the game itself, that for as many thousands of years as go has been played, there have been significant new developments in opening style in just the past hundred years alone. In addressing the opening, Ishigure is giving us a philospohy of the game as a whole. He handles the subject matter with skill. He shows us how to build solid bases from which to attack and pincer. We see different shimari and kakari, but instead of an emphasis on joseki, Ishigure stays true to the nature of this time in the game by focusing on a broader context. We are shown the values of different areas, relative to position. There are problems throughout the text, and in their own section as well.. All of this leads us through nine concepts which will help guide us through developing our own style of opening. These are principles of balance, on which every rank of player needs to act. Reading this book has
given me more insight into the state of mind required to play go
well. This of course brings more appreciation of the game; and also
of the cultures which have embraced it. |
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Intermediate Level
Power Builder, Vol. 1 Aimed at the mid kyu
player, this book does a wonderful job at covering basic concepts,
strategies and techniques. The first volume of this series in progress
covers basic joseki and fuseki in openings, but in a method that
integrates a global view. The author also spends a chapter discussing
"oba" or big points and how they arise in openings. One of the best aspects
of this book is the method of presentation. The author uses a lesson
format in which he asks a question and the students give their answers.
The best solution is explained and then the weak point in the student's
answer is examined. I found that very helpful when comparing my
thoughts with the explanations in the book. It should also be noted
that many of the games on which comments are made are taken from
various professional games. I hope that Yutopian plans on publishing
the next installment in this series soon. |
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Invincible: The Games of Shusaku "Invincible" is a massive book with about 120 games. 80 are full commentaries with detailed analysis. The games here are magnificent struggles with large scale fighting being the norm. However Shusaku demonstrates his mastery of the positional features of the game and in every game he demonstrates his superb positional judgment. The book contains thousands of lessons and is a great way to see the 3-4 point in action. These games are timeless and playing through them is like listening to great classical music or seeing a great artist in action before your very eyes. Invincible's lessons are supplemented by the history it presents along with every game and with a well-written introductory chapter (about 25 pages) documenting the history leading up to and including Shusaku's career. If you love great games you will love this book. This book is well suited to anyone who is able to learn from professional games, although weaker players may find this book a struggle. Invincible is great at teaching through exciting struggles but its real strength is teaching and fostering a love for go and its culture. Order from Samarkand
at www.samarkand.net or Kiseido at www.kiseido.com |
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Jungsuk In Our Time: Somok (3-4
point Jungsuk) Jungsuk is the Korean word for joseki. This book provides a well-commented treatment of 3-4 joseki in a form that is readable by middle strength and stronger kyus. The book is rich in information and I expect that it will also provide useful information for stronger players. All conference attendees at the recent 1st International Baduk Conference (Baduk is the Korean word for Go) received a copy from Chiyung Nam when they visited the Hankuk Kiwon. Until recently the English-language go literature has been dominated by translations of Japanese works, but recently works of Chinese and Korean authors have become available, a welcome trend that I hope continues. Jungsuk claims to be the first Korean book on baduk translated into English, but I believe that Jeong Soo-Hyun's and Janice Kim's superb "Learn to Play Go" series lays true claim to that honour. The book is structured around 113 "Primary Patterns". These represent the major variations of the commonly used 3-4 joseki as practiced in Korea today. Many of these are presented within a 'whole board' context and the emphasis is on current or modern variations. Secondary sequences related to these primary patterns are used to explore well-commented interesting variations. Most variations are extended into 'after joseki' and 'unreasonable play', 'modern play' and 'old variations are mentioned. The authors encourage
their readers to "learn ... and then forget" their joseki and to
consider joseki choices within the game context. They use korean
terms sparingly (sunsoo for sente etc) and provide a glossary at
the back for terms that Western readers may not be familiar with.
The book is beautifully bound with a high quality cover, it is well
printed and well laid out with very readable diagrams and clear
explanations. |
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Kage's Secret Chronicles
of Handicap Go What can one learn from studying low-handicap games between two professionals and a professional against a strong amateur? The list could be pretty long, including corner joseki, whole board fuseki, direction of play, middle game technique, sente and gote, honte moves and overplays. But the most important thing that I learned from this book is how professionals deal with over-aggressive moves and unreasonable challenges. This book helps weak players like me to build up confidence when playing against stronger players. It should be a great book for players between AGA 9k to 2d. The book includes nine
fully-commented real handicap games from 2 to 5 stones. While the
two professionals were playing against each other, they engaged
in lively and entertaining conversations. When one professional
plays against an amateur, both professionals comment after the actual
game and they often have different ideas about an identical position.
Last but not least, this book has a feature that I enjoyed very
much: there are about 7 to 8 questions per game to test your strength,
and you can only find the answers after flipping to the next page. |
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Learn to Play Go (four volumes)
Experienced go players sometimes deride this series, suggesting it's overly simple. With go books, though, as with go itself, simplicity is very often a virtue. Containing large diagrams, witty asides, and plenty of interesting go history and trivia, this series is perfect for those who are new to the game. Later volumes contain information that even mid-level players will find useful. The first volume starts at the very beginning by explaining the rules and outlining some rudimentary strategies. In the back, a paper board with stones is included. (This is somewhat difficult to play with because the pieces are so small.) The second volume, "The Way of the Moving Horse," goes a couple steps beyond the most basic strategies. The third volume, "Dragon Style," contains some go aphorisms and a few analyzed sample games. The fourth volume, "Battle Strategies," contains more "advanced" strategies. Of all the books out
there, these seem to me to be the very best for introducing beginners
to go. Volume one, in particular, makes a perfect gift for someone
approaching the game for the first time. The series will eventually
include nine volumes. The fifth volume, The Palace of Memory, is
expected shortly. |
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Lessons
in the Fundamentals of Go Anyone 12k or stronger can benefit from this book. Kageyama, a professional teacher and lecturer on Japanese television, observed four levels, starting around 12K, where his amateur students seemed to hit roadblocks. His book prescribes the same remedy at each level. Review the fundamental principles until practice and experience give you the confidence to make sound moves without hesitating. Repeat as needed. For example, you'll
have a much easier time finding the best move if you know at a glance
whether or not the ladder works. You won't have to look for alternatives
to an obvious move, even though it seems wholly uninspired, if you
can see how effectively it settles an urgent area. "Lessons" holds
up well under repeated browsing. It comes in particularly handy
when you're looking for something to help you warm up for the next
tournament. |
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Life and Death: Intermediate Level Problems |
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Magnetic Go Set (Kiseido MG25)
At 36 x 34 cm, this magnetic set is large enough to play a comfortable game on, yet still small enough to use for study. The metal of the board wraps around at the center seam. It's possible to gently fold the board closed and have stones on the tenth line maintain their grip when I put the board away on a shelf (standing upright on its 1.9 cm edge). The designer knew that games and study are sometimes interrupted while the table is put to a more pragmatic use, like dinner. The playing surface
features a wood-grain print in light yellow-tan, like Katsura. My
first reaction as the set was opened: "How can magnets stick to
wood?" The bowls are black plastic. They're shallow and broad, which makes them a bit unwieldy to screw open and closed. Getting the knack of it took me a few days. The set has a nice carrying case, and the bowls are wide so they pack well into the case, which must reflect the dimensions of the folded board. (I made a cork template to hold the bowls more firmly during travel. Otherwise they bump around.) This high-quality set
is worth the expense for its combination of utility and elegance.
Kiseido also offers MG20 (32 x 30 cm), which I am guessing is the
MG25's little brother. I'm sure they'll be glad to tell you if you
contact them. |
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Palm OS Edition of the Many Faces
of Go Joseki Dictionary PDAs have become popular
among Go enthusiasts to record and review games. A new application
can now put an extensive joseki dictionary in the palm of your hand.
The program can be used on any handheld device running Palm OS 2.0 or greater (Palm, IBM Workpad, Handspring, Sony CLIE) and is approximately 79k bytes. There are a couple of limitations worth noting. Once a corner is chosen, all subsequent plays are made in that corner. Additionally, if the first move is a pass, only the top left corner joseki are displayed. A free trial version
can be downloaded at www.smart-games.com. The trail version enables
only 5-5 joseki and disables some navigation features. Registration
is $20.00 and well worth the investment. Registration unlocks all
dictionary functions and entitles the user to free future maintenance
releases. |
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The Master of Go A game of go is much like a story. It has tension, drama and conflict. If you win, the story has a happy ending, if you lose, a sad one. This inherent drama is one reason the prize-winning novelist Yasunari Kawabata was able to take a particularly momentous game of go and transform it into one of the greatest Japanese novels of the 20th century. "The Master of Go" is a fictional account of fact. As a budding writer, Kawabata was commissioned by a newspaper to report on the 1938 retirement match between Shusai (the last hereditary Honinbo) and Kitani Minoru (given the fictitious name Otak‚ in the novel). Because of Shusai's failing health, the game extended over six months, and was played in over a dozen different sessions at various locations around Japan. After the war, Kawabata transformed his newspaper accounts into this extraordinary novel, eventually winning the Nobel Prize for Literature in 1968. The game itself plays a central role in the book. Game records are sprinkled throughout along with detailed analyses of the match. Yet this novel is much more than just an elaborate game record. The Master of Go, like much post-war Japanese literature, maps the rough and difficult terrain between traditional Japanese society, represented by the Master (Shusai), and contemporary westernized society, represented by Otak‚. As such, the book is as much about Japan's defeat in World War II and the waning of traditional Japanese culture and values as it is about the match. It's a sad but intensely beautiful story, filled from start to finish with tragedy and pathos. The Master of Go holds
a special place in the hearts of go players not only because it
focuses on the game we love, but because it incorporates that game
into a work of the highest literary art. Every go player should
read this book. Most, if they are serious about the game, will read
it many times. |
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Pro-Pro Handicap Go, edited
by the Nihon Ki-in (2/5/01) How does a strong professional play if given three, four or five stones by another pro and asked to demonstrate victory with clear, straightforward moves? How much could you learn given access to the pros' thoughts as their game unfolded? Three complete and deeply annotated games are the heart of Pro-Pro Handicap Go. Eight additional games carry through to about move 50. The book is visually striking. The main diagrams take up most of the 7" by 8" pages, and no diagram gives more than a few moves. If you're like me and
take handis more often than you give them, or if you want to glimpse
professional thinking on the white side - this text is great. Unless
you're stronger than 9-dans like Ishida Yoshio, Takemiya Masaki
and Cho Chikun, you'll learn something. The book has many bonuses.
Try forecasting key moves. Learn skillful plays from the pros in
sidebar diagrams. Enjoy photographs of 22 well-known professionals.
Get stronger! |
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Movie: "Restless" DIRECTED BY Jule Gilfillian
(1/29/01) Leah is adrift, restless. Landing in Beijing after a string of flights from failed romances, she falls in with other expatriates. A chance encounter with a young weiqi master she saw on TV leads to . . . well, let's stop there and not spoil it. Let's just say that a few twists and subplots later, we learn what Dorothy . . . er, Leah is really looking for. (Hint: There's no place like it.) Along the way, we see weiqi on TV, on the street, in a club, at home. On TV, Master Sun (played by Asian Jimmy Smits clone Geng Li) teaches how to "attack from a distance." With an inevitability that Sidney Sheldon would love, the insight Leah gains enables her to turn the tables on the cad who jilted her, and jilt him right back. Catherine Kellner plays Leah with Sarah Jessica Parker-like insouciance. Restless is the first English-language film made in modern Beijing, and the first US-China cooperative filmmaking venture. Don't look for any scathing indictments here, just a basically lighthearted look at some young people falling in and out of love in China while trying to "find" themselves. Watch for a nice subplot about Leah's Asian-American friend, a hunky bimbo delivering his grandfather's ashes who gets more than he bargained for in return. It's a pleasure to see weiqi in an attractive setting, even without so much as a brief reference to the actual nature of the game. (An uninformed viewer could leave with the impression that weiqi is a "variation of chess," as The New York Times mistakenly reported.) Pi, the recent cult hit in which the monomaniacal main man discovers the secret of the universe on the go board, gave the game a lot of visibility, but didn't leave people wanting to learn more about it. Restless, on the other hand, is a film you can recommend to your friends on its merits, and after they see it they may well ask you some interesting questions about weiqi. If you're looking for
a truly great film about weiqi, turn to The Go Masters, the first
(and thus far only) joint venture between the Japanese and Chinese
film industries. If you can find this out-of-print 1982 sprawling
saga of World War II and the Japanese invasion of China, you are
in for a once-in-a lifetime treat. Think of it as Go With the Wind.
If you find a copy, let me know. |
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Tesuji and Anti-Suji
of Go Weaker players often think of tesuji as the killing moves stronger players make against them. Yet often tesuji (strongest local moves) result in no killing at all and can have profound whole-board relevance. Sakata Eio's book, while loaded with death, shows that implementing a tesuji can also mean getting to live in sente, or giving up stones in return for unconquerable influence, or turning an awful situation into a slightly less awful situation. There are three reasons this book is a valuable learning tool. First, each of the more than 60 problems is accompanied by not only the correct solution but also by the incorrect solutions (anti-suji), as well as detailed explanations. Second, some problems arise from joseki or deviations from joseki and, where applicable, Sakata shows how the problem developed. Third, in many cases the problems build off each other. A certain problem may be almost identical to a prior problem with, say, an extra stone. Sakata shows how such subtle differences on the board can dramatically affect one's ability to employ a tesuji. The presentation style
of the book gives the reader more than just an ability to recognize
a tesuji in a contrived example. One learns to recognize the rationale
behind the tesuji and not simply the tesuji itself; a rationale
that can be applied to much more than just the 60 examples in Sakata's
great book. |
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Tesuji Made Easy CD Tesuji Made Easy is computer software with a huge collection of go problems (2440), illustrating a diverse range of technique in subcategories such as ko, shape, sacrifice, reducing or extending liberties, and sabaki, under six main themes: Life (425), Death (618), Attack (259), Defense (325), Capturing Races (217), and Endgame (596). About 30-40% of the problems are from classic texts, mainly "Guan-Zhi-Pu". They are graded from 1 to 5 stars in difficulty, with most between 3 and 5 stars, too difficult for low kyu players. You set the number of guesses you allow yourself for a problem, and your rank is then adjusted depending on whether or not you solve it. The quantity and quality of illustrated variations vary greatly. For some problems there are few or none. The shortcomings of the program itself are extensive. By far the most serious is the inability to place stones to explore variations. No analysis is possible, if the move is not in the database a 'Lost!' dialog box appears and the problem resets. You can't take back or undo a move, or reset a problem. You need to switch to another problem and come back. The program is slow, taking several seconds to switch between problems on a 486-100 with Windows 98. If you change problems while the program is illustrating a variation it will hang. A distracting red square appears on the star-point to allow cursor key entry, and almost always covers one of the stones in the problem. It can be moved but not taken off the board altogether. The 'number of guesses' option is off by one (if you put 2, you will get 1). The grading feature doesn't function properly. After solving only one or two problems the software will promote you. It keeps promoting you for resolving the same problem, which you may easily find yourself doing if you look at problems more than once. If you want to restart the ranking you need to edit the score file, which causes runtime errors. Each problem is identified by either 'have solved', 'not solved', or 'wrong answer', but are misidentified even when the program is first installed. A DOS-era style program window that won't fit at 640x480 resolution and won't fill to 800x600, a unique Pokemon-like picture associated with each rank that can't be removed, and corny sound events round out the amateurish presentation. There are also some errors in the variations. In a subvariation of Problem 1, 'Capturing Stones/Destroy Opponent's Eye Shape', Black puts his whole group into atari instead of starting a ko, while in Problem 5 of 'Endgame Moves/Invade', White appears to needlessly connect after blocking the monkey jump. The bottom line is
that this program really seems to still be in beta. Nevertheless,
if all you want is for it to display a Go problem and the correct
solution, you will probably be happy, anything else and it will
be disappointing. Beginners less than 10 kyu will definitely want
to give this one a wide berth, picking up books like Tesuji, Life
and Death, Attack and Defense, and Endgame from the Elementary Go
Series to cover the same ground at a challenging level for about
the same price. High kyu and dan players may be willing to tolerate
the program's shortcomings to have access to such a large number
of classic problems, but will have to resign themselves to setting
up many problems on the board. |
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Tournament Go 1992 This book stunningly presents 50 games from top Japanese title matches and top international competition. All the analysis and variations in these books are by top professionals. Unlike the dry commentary sometimes found in other books, "Tournament Go" book brings the games to life with descriptions by both the players and high-ranking observers. This book spreads out the game and includes many variations, doing full justice to the games. Matches include: Cho
Chikun's incredible fight-back for a three game deficit, Kobayashi
Koichi and Otake's struggle in the Meijin, and a fierce clash between
Shuko and Kobayashi Koichi in the Oza. "Tournament Go" also contains
Lee Chang-ho's defeat of Rin Kaiho to become the first teenage world
champion. All players above beginner will find this book useful
but stronger players will find more even "gems" in this magnificent
book. |
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The Treasure Chest Enigma
This classic is a treasure chest of stories, game commentaries and problems by the well-known Japanese pro (5-Dan at the time of publication, now 6-Dan), prolific writer of go books for himself and for many famous professionals, and peripatetic teacher. John Power and Richard Dolen translated the material in this book from the original Japanese. There are seven essays regaling us with stories of historic episodes in Japanese go, tidbits of go culture, and the life of Japanese professional players. For example, there is the story of a life-and-death problem that perplexed strong professionals but was easily solved by an amateur 9-kyu player. Then there is the essay on how one can become stronger by learning how to resign at the right time. The book is graced by the inclusion of haiku poems which Mr. Nakayama's father, a noted haiku poet, wrote when shown the essays. There are also three very detailed commentaries on fascinating professional games, in which we can share the atmosphere in which the game took place as well as the character of the players. Finally, the book concludes with 20 wonderful whole-board problems with solutions, including several of Mr. Nakayama's trademark long ladder problems and finishing with one by the great Dosaku (or perhaps his disciple Inseki, Meijin) in which Black captures 72 stones but can't make two eyes. This is not an instructional book, but you will probably read it more times than any other go book in your library. Reading and savoring it will immensely increase your pleasure in playing go. Many of us thank our lucky stars that we could buy a copy from Mr. Nakayama himself at a go congress, or from Ishi Press, which sold them for a while. Currently, availability
is limited, since the book is out of print. Yutopian www.yutopian.com
advertises copies for sale at $60.00. The website http://rarebooksinjapan.com/index.html
lists a copy for sale autographed by the author, for $50.00 (look
under the heading Japanalia 5: Books about Japan (in English)).
Finally, Amazon.com will look for a used copy, quoting a price estimate
of $27.50. Speaking for myself, the book is cheap at twice these
prices. |
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Understanding
How to Play Go Lately, I've been getting stronger. Perhaps it's because I've been watching high-level games on IGS. Or maybe it's because I've been reading "Understanding How to Play Go," by Yuan Zhou. Mr. Zhou is an AGA
7 Dan, and this book contains seven of his games. Each game There are no explicit lessons in the book. Instead, the reader gains understanding by seeing how a 7 Dan thinks about Go. In one game, Zhou points out, "Black gets a good benefit here, so White must try to find compensation." In another, "White must find a way to create severe complications in the hope that Black will make a mistake. It's the only way White can win." Many of the game diagrams end with questions, which invite the reader to think of ways he could "find compensation" or "create severe complications." What I learned is that
one's opponent will inevitably get a good result somewhere during
a game. When that happens, one must look for ways to restore balance.
The book is directed at both kyu and dan level players. As an AGA
8 kyu, I expect this book will be useful to any kyu player ranked
15K or stronger. |
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Understanding
How to Play Go For a long time there
has been a need for kyu-level commentaries of games Providing blow-by blow descriptions of seven high-level amateur games, the book presents the material in a fashion designed to make all moves clear to kyu level players. Each diagram contains very few moves and most moves are commented. Variations are also discussed. I found that I did not have to set out the game on a board, but could read the book and commentary while commuting. I expect that I will read and re-read this book and look forward to the foreshadowed companion book on commented handicap games. My congratulations
to the publishing team at Slate and Shell for producing yet another
long-needed book that is designed not only to be read by those players
destined to become strong dan level players but also for those of
us who may never reach those lofty heights and who play go for the
sheer thrill and enjoyment of the game regardless of our strength.
Look out stronger players, us low kyu's have a secret weapon! By
discussing the reasons behind virtually every move, our understanding
of the game is going to grow and we are going to get stronger. |
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Understanding
How to Play Go Often I play over a recorded game between strong players, but the thoughts of the masters are not terribly accessible to a go apprentice like me. I want one of the players to magically appear and explain some of the mysteries to me. The folks at Slate & Shell must understand my dream. A main goal of theirs is publishing good material to help kyu level players improve. Yuan Zhou's excellent book is subtitled "an AGA 7-dan explains some of his games." His annotations of the seven games in this book are both copious and accessible. Zhou describes the thoughts behind both strategy and tactics. He tells why the big points are big points. He points out the trick moves. He makes it clear when and why he varies from conventional lines of play. Really nice are the many sidebar diagrams that show alternative ways of playing or the consequences of blindly following reflex moves. Playing through these
games has helped me a lot. Even if I knew a concept, the author's
clear manner of expression reinforced the lesson. I imagine the
revelation of Zhou's thought processes would be interesting to dan
as well as kyu players. |
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A Way of Play for
the 21st Century Diagrams -- large, clear, easy-to-read diagrams -- occupy two-thirds of the page surface within this book. The text is also clear and easily read. With too many go books I find myself paging back and forth, wading through digressions embedded within a discussion of technique, and left with cryptic evaluations of alternative lines of play. Go Siegen (and the translator and the layout artist) have done an excellent job of avoiding these traps. The material comes from Go Siegen's study group over the years 1994-1997. The master takes as his starting point standard joseki, then he infuses them with new ideas and best play as he sees it for both sides. He examines everything from the whole board perspective (so you see at least four joseki unfolding). This way of thinking is absolutely vital to his analysis. As a beginner, I am hungry for teaching that relates the whole board to the lesson at hand. Go Siegen provides that nourishment. Perhaps most valuable are the many diagrams detailing alternative lines of play. The author not only shows the plays, he talks about their rationale and why white or black rejected them. Learning from mistakes is as old a school as exists. Comparing in diagram form the right way and the wrong way(s) is highly educational. A Way of Play for the
21st Century repays careful study with many fresh insights. |
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Copyright © 2003 American Go Association Email the AGA at aga@usgo.org Email the Journal Team at journal@usgo.org Last updated on November 6, 2003 |